Archival exhibitions

Costume / Sculpture / Body. Kantor’s theatrical objects – Brukenthal Museum, Sibiu; National Museum of Contemporary Art, Bucharest

A visionary. A total artist. A revolutionary of the theatre. The most international of Polish artists and the most Polish of international artists. One of the most prominent figures in 20th-century art, Tadeusz Kantor (1915—1990) was a revolutionary in every sense of the term. The Cricot 2 Theatre he founded kept transgressing the traditional boundaries […]

“Constellations” | An exhibition organized as part of Copernicus Festival 2023: Cosmos!

For years, scholars have been asking themselves about the boundaries of cosmos, the principles that govern its functioning, and our place in it. Similarly, artists test the boundaries of art, look for the reach of creative matter and coincidence, consciously rejecting the previously worked out laws. Constellations is a story of abstraction that goes beyond […]

Wrap up! Exhibition of Tadeusz Kantor’s emballages

Ambalaże, Polish word coined from the French emballage meaning “packaging” was one of Kantor’s main creative strategies. The symbolic gesture of wrapping up an object or a figure is related to the need to guard, protect, fix, hide. Earlier, the artist fled from creating images of bodies and objects into abstract art. Emballages let him “touch […]

Goplana and the Elves

The exhibition evokes questions about the rank and status of objects. Goplana with Elves were not meant to be a decoration, but to “embody a stage character”. For Kantor, the object as a “form – a spatial sculpture with a metaphorical function” became an element of ambient art; arranging a space which is meant to […]

Thirty to Tomorrow | Robert Kuśmirowski

“Thirty to Tomorrow” is a temporary group exhibition created by Robert Kuśmirowski in collaboration with curators Magdalena Ujma-Gawlik and Kamil Kuitkowski, with the participation of artists Marek Chlanda, Andrzej Dudek Dürer, Krzysztof Leon Dziemaszkiewicz, Jan Gryka, Mikołaj Smoczyński, Maciej Świeszewski and Daniel Zagórski.

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