Agata Skwarczyńska’s ‘Anatomy lesson – reconfiguration’ is intended as a dialogue with Tadeusz Kantor’s happening, who returned to the staging of Rembrandt’s painting (‘The Anatomy Lesson of Dr. Tulp’) as many as four times. At the same time Skwarczynska’s performance is a new realisation in the catalogue of attempts to reconstruct the famous painting, an […]
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